Image Recording Setup & Metadata

I have been reviewing all of your 12-months of Everglades submittals and renaming the files so I can keep some semblance of order going forward. To do so, I’ve had to look through each image’s metadata to figure out when each image was actually taken. I’ve found that some of you aren’t exporting your images with that metadata available. (Don’t worry, it’s an easy fix.) But I need to know and verify when you actually took the photo. Not when you edited it, not when you sent it, nor when I saved it, I need the actual date and time of capture.

This got me thinking of ways we can keep order within our own photos that maybe we haven’t thought of, myself included.

First off, everyone should make sure their cameras are set to the correct date and time. I know, seems like a no-brainer, but incorrectly capturing the wrong time happens more than you think. Even to me! Yes, even to me. 😁

Generally, you set the date and time when you first set up your camera, but some folks get super excited with a new camera and forego the boring setup and go directly to taking photos. I get it. But at some point, you need to properly set up your camera. And that doesn’t end there, you will likely have to change it twice a year to coincide with the time change, and if you do any traveling out of the time zone, you’ll have to do it then too.

So let’s start in your camera’s Menu, Setup Menu. Scroll down to find Time zone and date (this is from my Nikon, yours will be similar)

As you can see, I’m negligent as well (see below). My camera is still in Vancouver Island time (left) Pacific time zone. I fixed it in the right panel. Just by doing what the camera says. I used the right arrow over, and clicked “ok”.

Once the time zone is correct, make sure the date and time are correct. I usually double check with my automatically-updated smartphone, it SHOULD have the correct info. Adjust your camera if necessary. And then don’t forget to check that you have the daylight savings time on or off. This has messed with me in the past.

Now, if for some reason you forget to set the correct date and time, and you go out and shoot a bunch of photos in the incorrect date and or time (like I do on every trip), you can change it in Lightroom after the fact. Matter of fact, when I arrived in Vancouver I didn’t change my time zone for three days and each day I uploaded images, I had to change the capture time. It’s a quick fix.

To do that, go into Lightroom, and Lightroom’s Library module. On the right side, go to Metadata as shown below.

Look for Capture Time (shown above). When I originally took this, my camera was still set to Miami time (Eastern Time Zone) so it said “6:13PM” and I knew I didn’t take this image at 6:13pm, so I had to fix it. And not just this one image, ALL the images in this newly-imported folder were off by 3 hours. So I selected all the images in my filmstrip, then clicked the box to the right of the capture time (as shown above), and the below dialog box pops up.

Click the Shift by set number of hours (time zone adjust) radial button (see above).

Then where circled (above), either add or subtract the number of hours to get to the correct time. I had to do this when I went to Paris as well. In that case, I had to +5 hours. When you’ve selected the correct adjustment hours, click “change all”.

And at the bottom where it says “This operation cannot be undone.”, that’s ok, and it’s true, you can’t undo it, but it can be readjusted if you’ve chosen the wrong number of hours. So don’t let that scare you.

Now, if you’re one who hasn’t set up their camera yet, like since you bought it, you may have to use the first radial button  in Type of Adjustment, Adjust to a specified date and time. When I used my OLD OLD OLD Olympus camera after several years of it sitting with no battery, I had to do that because my camera had no idea what the correct date was and reverted back to the factor setup, Jan. 1, 2004 (the actual capture date was May 4, 2019). So yeah, that was wrong and I had to edit each image accordingly. In that case, changing the date was easy, but for the correct time, I had to guess on most of them. 

If you didn’t realize, your camera is basically a small, light-recording, computer. Every setting on your camera will be embedded in your image file’s metadata.

If you’re one of those who hasn’t properly set up their cameras, I highly recommend searching the world wide web, or YouTube, for your exact camera’s make and model number and ‘setup’. And then read or watch how others set up their camera. There are tons of videos explaining pretty much every camera system out there.

Its not just about setting the date and time, there are other things that need to be setup. For instance, when I bought my Nikon Z7II, I now had 2 Nikon Z-mount mirrorless cameras. (A Z6 and Z7II) How was I going to differentiate the two? So I decided to have my camera rename the files for me at time of capture, IN CAMERA. To do this, I added a prefix to the file naming convention IN-CAMERA to reflect which camera I used. If you scroll back up to my screenshot of the Metadata in Lightroom, my filename is Z72_1640.NEF. The camera named the image 1640, but I added the Z72. And that signifies to me by just looking at the file name that I shot this image with my Z7II camera and not my Z6. The setup instructions for your particular camera make and model will explain how to do that if you choose.


In the meantime, I urge everyone to go into one of your exported image folders (where you save previously edited and exported photos). Right-click on one of the image files and go to the “Properties” menu. Below, I show the properties panel for one of my images on my work computer, which is a PC. Apple’s or Mac’s I’m sure will have some sort of similar information area. If you have one, I’m sure you know how to find it. 

In the following screenshots, I’ll go over each tab and the information it shows.

The first panel, is GENERAL, which basically shows the file information as it resides on your computer. The dates created and modified, as shown here, only refer to that FILE not the image itself. The second panel is SECURITY which shows the different permissions to access that particular file. I rarely deal with this.

Details Tab (below)

It’s in the “Details” section that I most want you to concentrate. Below I have 4 screen shots as there is a lot to scroll through.

In the first block (left), you’ll see the Description, the Origin (this is a very important section) with the DATE TAKEN and copyright information. The Image section can be very useful as well, with dimensions in pixel sizes and bit depths. Below that is the Camera info, showing the make and model of the camera used and all the EXIF data.

As you can see above, the information my image tells me in the properties-details tab says this: I took this image on April 17, 2025 at 9:51am. It shows I edited it or exported it from Adobe Photoshop Lightroom, my copyright info is there, the image is 1638 pixels wide and 2048 pixels high, the resolution is 300 dpi, bit depth is 24, the color space is sRGB, it was taken with a Nikon Z72 camera, at F-16 aperture, 1/6th of a second shutter speed, and the ISO was 320, and it was shot at 290 millimeters, with the spot metering mode. That’s a lot of info! Just from right clicking on a jpg image. Amazing, huh?

In the panels below we see the Advanced photo section (left panel), which is dependent on what kind of camera you have and what kind of data it records (to be honest, not sure where that info comes from. Possibly entered into the camera’s metadata during setup). Not important here.

And finally below that (right panel) is the File information. This basically shows you when this file (not the actual photo) was created, meaning when it was exported, or maybe when it was downloaded. In my case, I downloaded this from my Dropbox files to my work computer on May 8th. In my same exported image file on my home computer, it shows different information with different dates (different computer).

Now, to have your files show the proper information in the above panels, you must export it properly from Lightroom or Photoshop. The following info is an explanation on how to export it properly.

EXPORTING

Below is a screenshot of the Lightroom export dialog box. In it, I highlight 2 sections; File Naming and Metadata.

File Naming can be helpful for certain exporting situations. Such as our 12-Months of Everglades project. In it, you can actually tell Lightroom to rename the file. Perhaps you want the image name to reflect when and who took it. You might change the file name to April (you choose which month) BAL (or insert your own initials) and the photo title or description (if using the example below, I could call it April BAL 3375 to keep the original file name in there as well.)

You can have your file name say whatever you want. You don’t have to stick with the file name that your camera gives you. Matter of fact, when I enter into any photo competition, or submit an image for photo review, they generally have specific requirements for pixel sizes as well as how to rename them. When I export for such an event and I expect to export more, I will save that as an export preset to use for future images.

To “rename”, just click the check box “Rename To:” and add the name you want to call it in the Filename box.

Now, for the above Metadata section (to show info as the above properties panels), this is where you decide which metadata you want to keep in your exported image. You would click on the dropdown menu and choose. In the case of our 12-Months of Everglades, I want to see ALL of your metadata.

But there will be other times where you might want to restrict data that is exported with your image. Perhaps you’re sharing an image and you don’t want the location shared (if your camera even records GPS, it may not – however cell phones do). Maybe you don’t want your personal data to be shared, if it’s supposed to be something anonymous. Maybe you ONLY want your personal data to be shared, so people know where to contact you for any reason about your image. Maybe you don’t want anyone to know your EXIF data – say you’re creating an instructional package and don’t want to give out exact EXIF for people to copy, you want them to figure it out on their own. For whatever reason, you get to choose which data gets saved to the file.

Like I said, there can be many reasons why you’d choose one option over another. In the case of you sharing your images with me for camera club purposes, the files aren’t going anywhere beyond me. Purposely restricting data looks like you’re hiding something, which I’m sure is not intentional. But in many of your cases, I’m guessing many of you didn’t realize that you restricted info when you exported your image. This is why I’m sharing this with you now. Personally, I ALWAYS keep it on “ALL METADATA”. I might change that when I start exporting my images for my website, but social media compresses your images and removes much of this data so you don’t have to worry about sharing too much. 

I know this is a lot of technical information at once. If anyone has any questions, please don’t hesitate to message me, send me an email, etc. I’ll be glad to help. If you’re totally lost, we can even hop on to a quick Zoom call, just you and me ,and I can help you out.

Hope this helps!

Camera Gear Spring Cleaning List

I received one of my "top tips" emails today from a not so well known photographer (they have the best info!). Today's email was about Spring-Ready photo gear. Well, we live in 'eternal spring' so that's not really a thing, but I tweaked it some to maybe use for a monthly or even quarterly checklist.

Steps to Spring-Ready Photo Gear:

1) Clean Your Lenses, Camera, & Camera Sensors: Clean your lenses and the outside of your camera first with a rocket blower to remove dirt and dust. Then, with a lightly dampened microfiber cloth, wipe down the outside areas. For the lens glass itself, use some pre-moistened alcohol wipes. For the camera’s sensor, start by using a rocket blower angled toward, but not touching, your sensor with the camera opening facing down. NEVER TOUCH THE SENSOR - NEVER USE CANNED AIR ON THE SENSOR If you still notice sensor spots on your images, consider cleaning your own with a sensor cleaning kit (here you can lightly touch the sensor), or send it to a reputable cleaning facility. Last thing you want to do when you get home from an awesome photo outing is to spend all day removing dust spots in post.

2) Check and Charge Your Batteries: With more shooting time, you'll need more battery charge. Inspect your batteries for any damage or oddities, and make sure they work well. If you notice that a battery you’ve used for a long time no longer holds its charge, it might be time to replace it. If you’re going on a long, dedicated photo trip, with limited charging capabilities, consider buying extra batteries so you don’t miss that shot.

3) Inspect Memory Cards: Make sure your memory cards are in good working order. Prepare them in advance of major shoots to prevent any loss of data. When all images have been safely downloaded and backed up to your computer, format the memory cards IN-CAMERA. (PS - Memory cards don't give a warning when they are about to die.) If your cards are old, think about replacing them. This is where using dual cards (one as a backup) is a good practice. As with batteries, if you’re going on a long, dedicated photo trip, make sure you have plenty of memory cards. Especially if you plan on doing multiple-image shots (timelapses, focus stacking, exposure bracketing, etc.) Last thing you want is to ‘cull’ your images in-camera because you ran out of memory. Trust me on this!

4) Update Camera & Lens Firmware: Camera updates improve performance and resolve issues. Check your equipment's website for the latest updates and make sure to update them. Don’t forget your lenses!

Search online for your camera and lens make and model for updates.

5) Review and Organize Your Camera Bag: While the bag is closed, give it a shake, then take a damp cloth and wipe off any dust or dirt before opening. Then open your bag and remove all items. Take an assessment of everything you just removed. Discard items you don't use, or place rarely used items in a removable pouch or satchel. With the bag empty, shake it out to remove any interlopers that may have taken residence in your bag, like twigs, leaves, or other dirt. With what's left, consider reorganizing the placement of your items so that frequently used items are easily accessible. A tidy bag saves time and stress.

Consider accessory bags for do-dads, tools, and slightly used items

EXTRA! Something I've discovered, the longer I've been doing photography, the more gear and accessories I've accumulated. If you're like me and have more gear than what fits in your bag, consider a dedicated shelf, cabinet, desk drawer, or even one of those storage closets for your camera gear. I have an old filing cabinet where I store my gear. Now when its time to go on a photo outing, I just open the drawer and see if there’s anything in there that I need. If not, all I need is in my bag.

Selection of items using an Amazon search for camera gear cabinets.






Exciting News! SFNPCC is exhibiting at FIU Green Library Gallery in April 2025!

We've been invited to exhibit our photography at the FIU Green Gallery next April! This is a tremendous opportunity to get our photography off of our computers and in front of real live people! Very exciting news. HUGE thank you to Jose Perez and Delfin Hernandez for setting this up! Looking forward to it.

THEME

The theme for this event is Everglades - Hidden Beauty. Essentially, Jose will be choosing images that show the hidden beauty of the greater Everglades ecosystem. As he said in his explanation to me, "When I first thought of a theme for the exhibit, my thoughts fell upon that the Everglades had been photographed so frequently, and that everybody has an idea what the Everglades looks like. I wanted to focus a fresh eye on the park and to have the club to go out there and capture the hidden Everglades. What I mean by hidden is the things overlooked but are basically in front of our eyes. To capture the magical and the whimsical aspects of the park. 

I share what the words Hidden Beauty mean to me:
Hidden: not readily apparent
Beauty: a combination of qualities"

 

RULES

PLEASE READ CAREFULLY

1) Only SFNPCC members in good standing are allowed to participate in this event. 

2) The theme is "Everglades - Hidden Beauty" (see above). No limitations on the date.  

3) Between now and Sept. 15th, we NEED YOUR participation commitments. If you are interested, PLEASE RSVP to info@sfnpcc.org to let us know you intend to participate in the show. Only serious participants please! It is imperative that you email us with your intent. Once we know how many wish to exhibit, we can give a number of pieces each person is allowed. As well, further emailed announcements will only go to those who committed. 

4) All images will be juried. (Jury means artwork will be reviewed and evaluated for inclusion in an exhibit or event.) The reason for the jury is to have our best work on display and that it adheres to the theme. We ask that you "self-critique" your images before submitting, and please submit only your best work. As soon as we find out how many participants we have, I'll announce a "not-to-exceed" number of images to submit. 

5) You will be responsible for all work and costs associated with the image presentation. That includes the taking of the photo(s), and the processing of the photo(s). Once your image(s) is/are approved for display, you will be responsible for the printing, matting, framing (if you choose to frame), and installation of hanging hardware of the photo(s). You will also be responsible for transporting your images (or finding someone to transport) to the drop-off location the end of March, 2025. We will certainly help anyone who is new to these things. Please don't hesitate to ask! We all start somewhere. 

6) SFNPCC is not responsible for any theft or damages.

7) More rules may be added as we learn more details and get closer to the deadlines. Please feel free to ask any questions you may have about this show. 

TENTATIVE TIMELINE

Sep. 15th - deadline to notify us with your intent to exhibit 
Sep. 19th - meeting to discuss the theme
Nov. 22nd - deadline to submit digital images for review
Feb. 17th - final digital image review
Mar. 31st - delivery of final image
Apr. 4th - show date 

More information will be given as soon as we get it. Keep watch on your emails for updates! 

Quarterly photo challenges are back! - "Showcase Your Vision" Photo Challenge!

(*If you want to see the following rules in printable PDF forms, scroll all the way to the bottom and click the links.)

So, how is this going to work?

a) The challenge begins on the 1st of the month and runs for a 3-month period, or quarter.

  • SPRING (April, May, June)

  • SUMMER (July, August, September)

  • AUTUMN (October, November, December)

  • WINTER (January, February, March)

b) During this 3-month period, you will go out and photograph subjects to fit the theme and edit your photos accordingly. You are only allowed to use photographs taken during this time for the challenge. Going through your old photos for something to fit the theme is not allowed. The purpose of the challenge is to find something new and ‘challenge’ yourself.

c) The last day of the 3rd month is the deadline for images. You MUST submit your images by midnight local time or they will not be accepted. You can submit them sooner if you wish. Submit to Email HERE

d) After the deadline, all images will be reviewed for adherence to the rules and then uploaded to our public Facebook page, anonymously, into a specific “challenge” album, and then shared with the public. We will ask fans to view and pick the images they like. This public voting stage will last for one month and is the first tier of our system to choose which images will be ‘featured’.

e) While the album is being shared with the public, we encourage everyone (if you’re on Facebook) to share the album on your own page, as many times as you like, and ask your friends to pick what they like as well. We STRESS that you NOT divulge which ones are yours! You will be on the honor system, but telling your friends to only vote for your photos is cheating. Please don’t do that. Also, if someone makes a comment on one of your anonymous photos, please don’t reply until after the challenge for that quarter is over. That’s a dead giveaway to your identity.

f) Throughout this month, I will send the photos to an esteemed person in the national/international photographic community who will rate them. This is the 2nd tier in our system. Also during this time, the album will be given to someone local in the photographic community to rate them. This is the 3rd and final tier of our system.

g) After the month is up, I will tally all of the 3 tiers and we will choose three (3) photos that will be featured on our webpage and social media outlets. If your images are chosen, we will contact you to get your current info, and ask for a blurb to go along with the image about your process or some details about the image you’d like to share.

h) While all of this “liking” and “ratings” are happening, we’ll start on our next 3-month challenge, with a new theme. Sound like fun?! 😊

 

RULES OF THE CHALLENGE

Participation in the challenge is open to SFNPCC members, officers, and directors in good standing ONLY.

1) Photo(s) must have been taken and edited only by you, during the stated quarterly timeframe, to fit the given theme.

2) You may submit up to two (2) images, but it’s not required (one is fine).

3) Photo(s) can be taken with any camera (cell phones too) – cameras are, after all, just a tool.

4) Photo(s) can be edited with whatever software program you use. However, we stress that nothing fake is added to the image, and no extreme time-blending is used. (More detailed EDITING rules are below.) Basically, don’t add anything that’s not already there, and don’t remove anything major.

5) Photo(s) must NOT have any identifiable marks or watermarks added to them. This is anonymous challenge. Also, do not remove the metadata. If I cannot determine when the photograph was taken, it will be disqualified.

6) Photo(s) must be exported as a JPG and sized for viewing on the web. (See below for export settings).

7) Photo(s) must be submitted by the deadline. Anything submitted after the deadline will be disqualified.


RULES FOR EDITING

About editing…

This challenge is definitely an exercise in creativity, but we also want you to adhere to the integrity of the photo’s subject matter. That being said, digital adjustments are absolutely allowed and encouraged to adhere to your vision.

Here’s a little something I ‘borrowed’ and paraphrased from the rules section of the NLPA competition website.

— t h e   g o l d e n   r u l e —

This is the Golden Rule which you should refer back to if you are unsure on any particular process. Another way to look at this would be to say that: A viewer familiar with the landscape and photographic process should not feel deceived if they were shown the original scene and raw file. Post-processing remains a critical part of realizing the potential of an image and the vision of the photographer.

 Most techniques that photographers use are permitted, such as adjusting white balance, exposure, color and contrast, as well as dust spot removal and flare corrections. These changes can be made globally or locally (such as dodging and burning). Also allowed is stitching (a form of image blending) for panoramic photos, or stacking for focus blending or exposure blending, even in some cases time blending. But we’ll talk more about that below. Black and white conversions are also allowed. Heavy cropping is also allowed, as long as the integrity of the image is still viable (watch your pixels!).

 Processing techniques that are NOT acceptable are:

 1) Adding new elements into a photo, sometimes called “compositing”, either from one of your images, or from an outside source image, is prohibited. Such examples are sky replacements, the addition of birds, fog, the sun (including sunrays) or moon, rainbows, or anything else that wasn’t there at the time of the capture, is prohibited.

 2) Heavily stretching or distorting elements for the “wow” factor. While we do allow for corrections due to lens distortions or warping due to panoramic stitching, we do not allow for the stretching of mountains, trees, or buildings (or any other elements) just to make them look more majestic and dramatic than they really are.

 3) Extreme focal length blending. I don’t foresee this being an issue for us, but it needs to be stated. Due to the use of ultra-wide angle lenses (which is their inherent nature to distort) which makes the foreground look large but shrinks anything in the background. We do allow for minimal focal length blending to correct for that. But only to the point where it looks normal to the naked eye. Say you are shooting a wildflower/mountain scene with a 14mm wide angle lens, and you blend it with a 24mm shot of the background. That would be allowed. But photographing a foreground with a 14mm and blending it with a 50mm or higher is not acceptable. The type of blending allowed here is only to correct, not to add.

 4) Combining images taken at significantly different times. This was what was discussed in #4 of the above rules. Doing an exposure blend, where one image is taken at a different exposure than the next, but within seconds or minutes of the original, are ok. That’s how we’re able to capture a high dynamic range image of a bright sky and dark foreground. What’s not acceptable is the taking of one image at a particular time, then blending it with another image taken several minutes to hours later. For example, taking an image of the foreground during twilight (shortly after sunset or before sunrise) and blending it with a shot taken at midnight, many minutes or hours later. The images must be shot consecutively and within reasonable time limits to the subject and conditions at hand.


SPECIAL RULES FOR NIGHT PHOTOGRAPHY

We have special considerations for night photography. Night photography introduces various technical challenges which are commonly solved through processing, so we have given additional consideration to this category. Again, we revert back to the golden rule – “the integrity of the subject should be maintained.”

 What about the use of Star tracking mounts?

Images made using tracking devices are acceptable as long as the golden rule is met. We recognize that using a star tracker requires the use of compositing techniques to blend the tracked night sky with the landscape; however, the section of night sky should be the same in both shots.

 What about Blue Hour blends?

If more than one image is taken, they all must be taken within moments of each other without the camera or tripod moving.

 What about “Deepscapes?”

“Deepscapes” are essentially the combination of deep sky objects such as nebulae and galaxies, which are combined with a landscape element and require special techniques and processing to create. If the “Deepscape” was created using allowable techniques above such as with a star tracking mount, they are allowable as long as they adhere to the golden rule of the competition.

  

EXPORTING GUIDELINES

Exporting from Lightroom

Below is a link to follow for detailed instructions on how to export your images for Facebook from the Lightroom module.

http://digital-photography-school.com/how-to-size-and-export-images-from-lightroom-for-facebook-and-print/

In a nutshell, these are the export settings to use. (Close is fine.)

  • Quality at 100

  • Color Space sRGB

  • Uncheck “Limit File Size To”

  • Image Sizing: click “resize to fit” and select “Long Edge” from the dropdown menu. Uncheck “Don’t Enlarge” and set the value at 2048 (Facebook’s suggestion) and dropdown menu select “pixels”.

  • Resolution 300 and select from dropdown “pixels per inch”.

  • Uncheck the watermark box. (Remember, we’re anonymous!)

 

Exporting from Photoshop

There are a million ways to do anything in Photoshop, but the link below can guide you. If you use Photoshop on a regular basis, I’m sure you’re familiar with the export feature.

https://photographylife.com/how-to-properly-resize-images-for-facebook

Facebook does still compress images quite a bit no matter what resolution we use. It’s a cross we all have to bear.


If you want to see these rules in a printable PDF form, click the links below.

What’s this about

Rules of the Challenge

Rules on Editing

Export Settings